In the other two cases, more often than not, it is for the man to summon the required bravado to drop truth bombs. While the women in 90 ML do drink due to the men in their lives, director Anita Udeep, or as she is referred to in the film, Alagiya Asura, is more interested in dropping those T-bombs, and she has used Oviya, alcohol, ganja, and other influencers to good effect to do the same on a completely unsuspecting audience. You see, the trailer of the film was misleading, and the audience walked into the theatres to see a female version of Hara Hara Mahadevaki or an Iruttu Araiyil Murattu Kuththu. But 90 ML is not a crass representation of today’s youth, and thankfully, does not take the route of vulgarity to talk about things like sex, sexuality, and most importantly, female friendship. However, it is understandable why the trailer was cut in a particular way. When Oviya is the only known face in your cast, and with an unconventional theme in hand, the makers would surely do everything that was needed for a grand opening. Unlike the trailer, which reminded me of Bollywood’s Veere Di Wedding, the film actually made me go back to the 1994 Revathy-Urvashi-Rohini-starrer Magalir Mattum. I am not saying they are similar, or the Oviya-starrer is a modern-day reboot of the 25-year-old film. However, on a simplistic level, both films do have their similarities.
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Right from the outsider coming to save the day to the climactic twist, both films have a lot in common, but let’s not go there, because 90 ML, as a standalone film itself, has a lot going for it.